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Manuel Legris verlässt das Wiener Staatsballett mit einer fulminanten digitalen Gala und einem exquisiten „Best of“ seiner Ära. …..
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…. All dancers extremely well-rehearsed, precisely together, in perfect unison technically and emotionally either as a pair (Alice Firenze/Masayu Kimoto, Natascha Mair/James Stephens, Nikisha Fogo/Richard Szabó and Erika Kovácová/Zsolt Török), solo (Iliana Chivarova), trio (Céline Janou Weder – totally in View Full →
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… Natascha and I first met last December 2018, I was lucky enough to catch her on the day she was promoted to Principal Dancer of Vienna State Opera Ballet, it was such a coincidence having bought the tickets 3 View Full →
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… Natascha Mair had her first Swan Lake in the Theatre in Aspendos (Antalya, Turkey) in the first week of September last (for this performance she was coached by the great Brigitte Stadler) and then on September 25th with the View Full →
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…… Mair war schon die vergangenen Aufführungsserien eine brillante, herzerfrischende Olga, die szenische Details stilvoll auskostet (sei es, dass sie zwar Lenski und Tatjana kurz einander vorstellt, aber auch einen Handkuss charmant unterbindet, …
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….. Her strength and frailty at the same time are a rare thing – her vulnerability and sadness towards the end of the piece, the way in which Antoinette “gives up” astonishing. …
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…. Hers is a translucent Clara who has the qualities that I have missed on stage since Gelsey Kirkland and Lesley Browne (Both danced the Baryshnikov version, which I rather prefer to Nureyev’s one): sincerity, delicacy, suavity., transparency…
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… Natascha Mair ist eine hinreißende, temperamentvolle Gulnare und begeistert mit exakter, blitzschneller Beinarbeit. …
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…. Natascha Mair ist eine Ballerina der neuen Generation: erst 23 und schon Erste im Staatsballett. Am Sonntag tanzt sie in „Coppélia“ …
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… But this “easiness” to be “in” the roles is just achieved by hard work. That is the point I would like to refer to: Natascha Mair’s and Denys Cherevychko’s pinpointed work was present from the beginning on till the View Full →