29.01.2019 – Coppélia (Première)

29.01.2019 – Coppélia (Première)

... But this “easiness” to be “in” the roles is just achieved by hard work. That is the point I would like to refer to: Natascha Mair's and Denys Cherevychko's pinpointed work was present from the beginning on till the very end of the show. It may not sound extremely important but for a balletomane it makes all the difference to witness clean Piqués Arabesque and Pas-de-Chats (on her first variation of the first Act) as well as his sharp, precise Jetés, also at the beginning of Act I. ...

Natascha Mair
2019-02-06T14:58:12+01:00
... But this “easiness” to be “in” the roles is just achieved by hard work. That is the point I would like to refer to: Natascha Mair's and Denys Cherevychko's pinpointed work was present from the beginning on till the very end of the show. It may not sound extremely important but for a balletomane it makes all the difference to witness clean Piqués Arabesque and Pas-de-Chats (on her first variation of the first Act) as well as his sharp, precise Jetés, also at the beginning of Act I. ...